Kotä is an agency for cultural initiatives and a sound lab.
The agency was formed in 2011 and is developing projects in the field of media art, sound art, and contemporary composition by doing performances and art installations, organising festivals and exhibitions in various cities worldwide.
The laboratory was launched in 2014 and is elaborating projects that exist on the ground between sound studies, physiology and social science : generative sound environments, sonic environments in public spaces, the sound agenda of cities, etc.
Experimental Music and Art (EMA) Expo
This collaborative project across Russia and Europe brings together curators from the underground audiovisual, sound art and experimental music scenes, projecting the possibilities of those liminal worlds into the exhibition space.
We bring together this international scene to reveal and amplify links and connections between Russia and Europe, and all the hubs of science, technology, and expression.
We bring together this international scene to reveal and amplify links and connections between Russia and Europe, and all the hubs of science, technology, and expression.
FESTIVAL, ART EXHIBITION, PUBLIC PROGRAM
Gleb Glonti for Kotä
Kotä for Ruarts Foundation
THE ETERNAL VALUES
The audiovisual work made by Gleb Glonti and Mikhail Myasoedov was commissioned by Ruarts Foundation for the opening exhibition in the brand new space in Trubnikovsky Lane.
The Eternal Values project is based on the data of the collection converted to sound and video with the help of various data manipulation algorithms and math functions.
DATA SONIFICATION, GENERATIVE AUDIOVISUAL ARTWORK,
TOTAL SOUND INSTALLATION
TOTAL SOUND INSTALLATION
Kotä for LOGIC Architecture practice
VOICED ARCHITECTURE
The collaboration with the architectural bureau LOGIC is focused on the transformation of the visible architectural landscape into a concrete musical composition where the sound becomes the interpreter from the language of blueprints and 3D models to the language of music.
A sound artist as an architect works with time and space but in this specific case, the positioning of the lasting object in the environment is being dictated (despite the composer's will) by the development of the definite space and the architectural objects in it.
DATA SONIFICATION, SOUND INSTALLATION, VOICED ARCHITECTURE
JUST TAKE TIME TO LISTEN
An ongoing anthropological sound-art project-research. A study of the sound environment that surrounds us.
In 2013 I started to record and study sound landscapes on the streets of various cities, as well as in apartment buildings and public spaces because they always conceal a very interesting palette of sounds. Over time, it grew into a sound anthropological project "Just Take Time To Listen" — a study of the audio environment that surrounds us.
In 2013 I started to record and study sound landscapes on the streets of various cities, as well as in apartment buildings and public spaces because they always conceal a very interesting palette of sounds. Over time, it grew into a sound anthropological project "Just Take Time To Listen" — a study of the audio environment that surrounds us.
SONIC ANTHROPOLOGY, SOUND MAP, SOUND ECOLOGY
Started in 2017
Gleb Glonti for Inversia Festival
FIELD RECORDING LAB 2020 TERIBERKA
A new event in the Field Recording Labs series for sound artists and musicians working with the sounds of the environments.
The third release of the Laboratory is an expedition to a fishing village on the shores of the Barents Sea from February 3 to 5, 2020.
The sounds of the endless Arctic space and the whisper of the tundra at the edge of the Earth in front of the Arctic Ocean.
The third release of the Laboratory is an expedition to a fishing village on the shores of the Barents Sea from February 3 to 5, 2020.
The sounds of the endless Arctic space and the whisper of the tundra at the edge of the Earth in front of the Arctic Ocean.
SONIC ANTHROPOLOGY, FIELD RECORDING LAB, SOUND ECOLOGY
03.02.2020
Gleb Glonti for Inversia Festival
Gleb Glonti for V--A-C Foundation
THOUGHTS ON COLLECTIVE SENSORY DEPRIVATION
In his work Gleb Glonti explores sound environments and sounds that occur in the environments.
For the exhibition Geometry of Now by V—A-C Foundation he presented a large site-specific installation in the basement level of GES-2, using the principle of "cocktail party effect" – our ability to focus on a particular stimulus while filtering out a range of others.
For the exhibition Geometry of Now by V—A-C Foundation he presented a large site-specific installation in the basement level of GES-2, using the principle of "cocktail party effect" – our ability to focus on a particular stimulus while filtering out a range of others.
SOUND INSTALLATION, PSYCOACOUSTICS, SOUNDSCAPE
